there will be books!

Seriously. I promise. I’m reading way too many at a time as it is. I’ll post soon(ish).

But, for now, I’m planning the summer reads because summer is the best time to read like mad and stay out of the dreadful heat.

Some of my picks…

  • I will finish A Clash of Kings.
  • I’ll re-read The Great Gatsby
  • I’ll finally get to Elizabeth George’s The Edge of Nowhere (received it for review ages ago)
  • And read Cassandra Clare’s A Clockwork Princess, Gail Carriger’s Espionage & Etiquette and Kate Locke’s The Queen is Dead.
  • Also, I will check out Jo Walton’s Among Others from the library’s display.

I think I’m aiming too far here…

It’s mini-review time!

What I’ve been reading – March/April

It’s time for more mini-reviews!

Clockwork Angel (The Infernal Devices Book 1) by Cassandra Clare

A few years ago, I told myself I would not get sucked into another series. I was in Harry Potter/Georgia Nicolson/Princess Diaries withdrawal and did not want to go down again. Of course, I couldn’t stick to that plan. I did, however, decide to wait on TID until the final book was published, and now that it has, I’m all OMFG!!!! Victorian shadowhunters! I love it! While it took some time for me to really connect with Clary, Jace, & Co., Tessa, Will, and Jem drew me in from the get-go. There’s something about this series that is darker and deeper than TMI. Characters seem more fully developed and motives are more clearly drawn. It’s a great series starter and it only gets better in Clockwork Prince (reading now!).

Austensibly Ordinary by Alysa Goodnight

I really wanted to enjoy this book. Austenesque romantic comedy? Yes, please. But it was the Austen-inspired, ghost-writing diary that actually turned me off in the reading. Go fig. It would’ve worked better for me as a straight-up romcom chick lit without the Austen elements. Too much was happening in this novel between the diary, alter-egos, and secret agent stuff. It was an okay read, but I found myself plodding along just to know how it would end.

Are you my mother?: A Comic Drama by Alison Bechdel

I selected this graphic memoir as part of my frenzied graphic novel collection project. I had no real notion what it was about when I ordered it, but it was on one of Booklist’s best of lists and they’re generally a great selection tool for libraries. I’m so glad I did order it. Bechdel’s graphic memoir of her relationship with her mother is a finely woven blend of meta-fiction that explores deep themes on queer experience, childhood psychology, and mother/daughterhood. And it channels Virginia Woolf, which just made me want to read more Woolf.

Forgot to snap pictures of the other two before returning them to the library, but I’m trying to stick to my picture idea.

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she came from the depths of the Hudson

Sailor Twain, or The Mermaid in the Hudson by Mark Siegel

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I’ve been waiting to find a book that would wow me and I finally found it in Mark Siegel’s Sailor Twain, a graphic novel that combines folklore, history, mystery, and romance into a thrilling, fast-paced narrative that gripped me from the first.

Drawn in stark, black-and-white charcoal, the illustrations add a sense of foreboding to the text, the images fading along the edges into a hazy glow so that it feels as if you’re watching the events unfold through a fog. Perfect for a river tale about mermaids and madness.

The story itself is marvelously suspenseful and surprising–the narrative is very adult and sensual, definitely a fairy tale for adults. This is great storytelling that captures the imagination and entrances the reader.

It’s a short, quick read, but there is so much happening in the story that it makes you delve into the details. There is a sense of loss and tragedy that runs throughout the story, but it’s the sort of feeling you encounter when reading the best fairy tales. Mermaids should be dangerous and dark. This is a mermaid tale at its best.

Sidenote… I’m thinking of posting snapshots of featured books instead of cover images… good? bad? suggestions?

 

Graphic Novels & Visual Literacy… in which I read frantically

It seems like ages since I’ve had something to blog about… concentrating on my writing has means that I’m reading less often, and what I am reading tends to be of the short and sweet variety, or the so well-known (ie. Game of Thrones) there’s not much I can say that hasn’t been said. I hope that makes sense.

For the most part, I’ve been reading for work. Several of us take turns organizing the semester read-along hosted by the university library, and this semester I selected Lauren Redniss’s Radioactive–which is absolutely brilliant and such a great way to introduce students to graphic novels–now, the kicker is that I am really really into the idea of teaching graphic novels at the university level, but I’m not faculty and I’m reluctant to take on a class (not because I wouldn’t enjoy, but because I don’t want to be dragged into the politics of teaching where I work), so my solution is to host a presentation on graphic novels and visual literacy. Because, not to toot my own horn, but I don’t think there’s anyone else who is really qualified to present on this topic at the university.

What I’m getting at is that I’ve been reading A LOT of graphic novels and books on teaching graphic novels, and they have been fantastic and engaging and incredibly thought-provoking, but in preparing for the presentation, I haven’t had much time to put my thoughts together into something like a cohesive blog post.

Some of the awesome graphic novels I’ve read for this project include:

Watchmen by Alan Moore – Watchmen is one of those stories that I heard so much about, I kind of felt like I’d already read it. It’s a classic and a must read for anyone interested in teaching graphic novels as a literary genre.

Epileptic by David B. – This is an English translation of a bestselling, autobiographical French graphic novel (Franco-Belgian graphic novels are the top-selling publications after American and Japanese graphic novels). This is the story of one family’s quest to understand and help a boy with a severe form of epilepsy. It’s trippy and disjointed, and very philosophical. The art and narrative styles really add to the sense of desperation felt by the writer.

Saga, vol. 1 by Brian K. Vaughn and Fiona Staples – The first volume in what is definitely a sweeping Sci-Fi saga, this novel is the perfect blend of sex, blood, and mystery. Trust me. If you like anything on HBO, you’ll like Saga.

Blankets by Craig Thompson – Another autobiographical graphic novel. Blankets is beautiful. It’s a story of faith and family, love and growing up, and realizing that you can be the person you want to be. There is so much subtext in the panels, Thomspson’s art and text are perfect.

Anya’s Ghost by Vera Brosgol – A YA style ghost story about fitting in and one girl’s encounter with a not-so-friendly ghost. This is a great alternative to the traditional coming-of-age in high school story and a very creepy read à la Coraline.

Then there are the theory and pedagogy books… I won’t review these now, as I’m still delving into them, but here are some quotes to feed your mind and soul.

From Carter, J.B. (2007). Introduction–Carving a niche: Graphic novels in the English language arts classroom (pp.1-25). In J.B. Carter (Ed.), Building literacy connections with graphic novels: Page by page, panel by panel. Urbana, IL: National Council of Teachers of English.

“there is much more to these books than superheroes in leotards and capes” (p.2).

“a good education–one bound in experience and meaning making–is probably an education that has been enriched with a broad definition of art and culture” (p.3).

“artistic experiences are important in developing literacy and critical thinking skills” (p.7).

“An important benefit of graphic novels in that they present alternative views of culture, history and human life in general in accessible ways” (as cited in Carter, 2007, p. 8).

“there is one format that covers a variety of genres, addresses current and relevant issues for teens, stimulates young people’s imagination, and engages reluctant readers: graphic novels” (as cited in Carter, 2007, p.10)

From Hatfield, C. (2009). Defining comics in the classroom; or, the pros and cons of unfixability (pp. 19-27). In S.E. Tabachnik (Ed.), Teaching the graphic novel. New York, NY: Modern Language Association.

“In sequential art, the experience of reading text is combined with the experience, omnipresent today on the electronic screen, of viewing; and, in good sequential art, the lyricism of poetic word choice is combined with the lyricism of striking visual images to create a stunning, hypnotic form of poetry” (p.4).

“reading today has become a hybrid textual-visual experience” (p.4)

literacy and learning in the digital age

It’s been an insanely busy week at work and it’s only Tuesday! Part of the insanity involved rushing through planning for a grant opportunity that we’re working on to improve and update our services for students, which led to my boss handing me a stack of books by James Paul Gee on gaming and learning. I don’t often post on the sort of reading I do as a professional, but I’ve been tumbling quotes from these books like mad and thought I’d share some thoughts.

Over the last two days, I sped-read my way through Gee’s Language and Learning in the Digital Age (2011), Good Video Games + Good Learning (2007), and Women and Gaming (2010). All three discuss how learning is changing and how video games can serve as learning models for instruction, skills development, and the creation of what he terms “passionate affinity spaces”–think maker spaces and gamer groups where people gather to talk shop about whatever they are interested in. Each of the books makes for great reading on the subject of gaming and digital literacy, but Language and Learning was by far the best of the three in my opinion.

gee1In one chapter, Gee discusses the kind of literacy that students encounter in school and why this fails to provide students with the kind of knowledge they need for the real world.

He identifies these as follows:

- essayist literacy – the kind of literacy that involves writing essays and other formulaic written assignments. A literacy that is not encountered outside of school. When was the last time you wrote a 5 paragraph essay?

- school content literacy – What is taught within a discipline as the knowledge of that subject area. Facts that are not often translatable to real life situations and are not practical/applicable forms of learning. Gee proposes that games can serve as a model for practical knowledge application (ie – Sims player learns about graphic design by playing with their avatar’s appearance), and suggests the need for a move away from content knowledge to knowledge based on problem-solving.

“School abstracts the content from the problems and we get students who can pass tests, but not solve problems” (Gee, 2011, p. 67).
“People need to be more adept at learning new things than storing old, oversimplified, sometimes false ‘facts’” (Gee, 2011, p. 67).

- test literacy -The kind of literacy most students encounter today. Learning based on rote memorization and test-taking skills that are not applicable after high school. “Today’s tests often lead to knowledge and practices that are used nowhere else than in school” (p. 67). He notes, “too often we get students who have only (temporarily) retained a good deal of content in order to pass a test” (p. 68).

Gee also explores the idea of Passionate Affinity Spaces in detail and describes it as a new, out-of-school learning space where learning is part of popular culture. According to Gee, “Passionate affinity-based learning occurs when people organize themselves in the real world and/or via the Internet (or a virtual world) to learn something connected to a shared endeavor, interest, or passion” (p. 69).

People engage in the space in different ways and through varying degrees of engagement. No “professional” credentials are necessary, only interest in the subject and activity-based experience. Everyone can produce knowledge in the space and the groups are led through a system of flexible leadership and mentoring. Knowledge is shared by all and everyone contributes what they know.

As he described them, “affinity spaces are about sharing a common endeavor where people learn things, produce things or knowledge, and can, if they wish, become experts” (p. 71). These spaces, thereby lead to “‘systems thinking’ – being able to think about and work with others to deal with complexity and complex systems” (p.73).

gee2However, one of my favorite quotes comes from one of Gee’s other books, Good Video Games and Good Learning (2007), wherein he writes:

Beyond the traditional literacy gap–the literacy divide between rich and poor–there is another gap in education, one that implicated even the understandings of more privileged children in school. This is the gap between passing tests and really understanding. Lots of research has shown, for years now, that, in areas like science, a good many students, even those with good grades and passing test scores, cannot actually use their knowledge to solve problems. (p. 143)

Students are being taught to take tests. They are not learning the skills to make them competitive. They are entering college with poor literacy skills–they can’t write, articulate their thoughts into coherent, logical statements, or analyze information. I see this every day and can see the negative effect of the push for students to memorize and regurgitate “facts” over independent thinking. It has to change and Gee’s ideas serve as a thought-provoking introduction for anyone interested in taking part in that change.

New year, new look

In the spirit of bright and shiny new blogging opportunities, I decided to give the blog a makeover for 2013. There will probably be less blogging this year (I’ve noticed a decline in my blogging over the last 2 years that coincided with my working full time), but I am planning on reading my way through my shelves as promised, so I will be writing up mini posts and will be restarting the monthly reading log that I gave up on a few years ago.

At the moment, I’m reading A Game of Thrones and am really enjoying it. I’ve had it on my shelf for a while and was afraid that it would be an extremely masculine sort of fantasy (of the kill kill, oh look a wench variety) but it’s not! I really enjoy the different narrators, each has an incredibly individual voice, and the writing is very engaging. If only I could find more time to just sit and devour this book!

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